![]() ![]() Practice the melody as written the rhythms have been simplified slightly for ease of reading, and it’s up to you to interpret them however you would like. The only bar that strays from the arpeggios is bar 4, which has a relatively simple line that runs down the scale. In the first bar we have a straight C major arpeggio, then a G major arpeggio, and two notes from the Am chord in bar 3. Also, the melody go slightly higher than our first position, so this is a good exercise on stretching up on the high E string. Carefully learn the melody and take note of the notes from each chord. The melody is arpeggio-based, meaning that the notes of the melody often follow the notes of each chord in the harmony. This will leave the arrangement ideas up to you based off of what we have learned so far. What we will do here is to study the melody, learn how the melody fits over the bass movement, and explore ways to fill in the gaps with the chords. For this last song, we will approach it a little differently. ![]() In the other pieces in this course, we have learned specific arrangements and I have been relatively strict on each voicing and rhythm for the arrangement. Play through these chords and practice connecting the notes of the scale like in the previous articles. We can do this by playing through the progression in the key of C major, which makes the chords C, G, Am and F. It’s always best to start any arrangement by revising the chords involved and making sure we are confident in playing them. The original is a half step lower, in the key of B major. In “I’m Yours,” an incredibly popular song from Jason Mraz’s 2008 album We Sing, We Dance, We Steal Things, the chord structure is our simple I V ii IV. As you become more comfortable with these notes, you will be able to learn arrangements much more efficiently, as all the shapes will feel somewhat familiar. So far we have learned how each note of the C major scale feels and sounds when it is played over each chord in the progression. ![]()
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